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Copps' theatre of the absurd
Apart from sheer bloody-mindedness, the defining characteristic of politics is an inordinate love of theatre. No surprise, then, that those still hanging around a summery capital duly presented themselves yesterday as the necessary audience for Sheila Copps' dark leadership comedy.

They came and were attentive not because they believe she can win, or even in the expectation some memorable comment would inform the moment, but simply because the show, any show, must go on.

And go on it did, as Copps gamely tried to add the depth missing from a performance that has ranged from superficial to embarrassing. With all the breathy sincerity of Hamlet in the high school auditorium, Copps offered herself as the champion of all that's good, inclusive and empowering, everything that's liberal, about Liberals.

Of course it would be a more compelling call to arms if Liberals themselves were convinced or ready to rally to so forlorn a cause.

Instead, they share general puzzlement over the campaign's guiding purpose.

With little money, even less caucus support and no chance of victory - if a bus hit Paul Martin the ruling party would twist every rule and precedent to find an alternative rather than risk its hegemony - Copp's candidacy is more a reflex response to opportunity than an accurate reflection of political reality. Source.

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July 30, 2003